Publications

Publications:

Monographs

"When the bad bleeds" - Mantic Elements and their Function in English Renaissance Revenge Tragedy. Representations & Reflections 3. Goettingen: V & R Press/ Bonn University Press, 2010. (als Imke Pannen)

Co-edited volumes

A Hundred Years of The Secret Garden. Frances Hodgson Burnett's Children's Classic Revisited. Ed. Marion Gymnich/ Imke Lichterfeld. Representations & Reflections 3. Goettingen: V & R Press/ Bonn University Press, 2012.

Journal Articles

"'O how this discord doth afflict my soul!' Natur- und Wetterschilderungen als mantische Bedeutungssubstrate im Drama der Shakespearezeit: The Battle of Alcazar und The Atheist's Tragedy" in Wolfgang Hogrebe (Hg.): Mantik. Profile prognostischen Wissens in Wissenschaft und Kultur. Würzburg: Königshausen & Neumann, 2005. S. 249-261. (als Imke Pannen)
"'Which of you shall we say doth love us most'- King Lear and the necessity of salt." Akademisk Kwarter. Aalborg. 02/2011. Online: http://www.akademiskkvarter.hum.aau.dk/02_06_2011.php.
"What will I do?' Depression and the trick to keep breathing", International Health & Humanities Conference (Nottingham, August 2010), The Mental Health Review, Vol. 16.3 (2011), 113 - 117. See: http://www.emeraldinsight.com/journals.htm?articleid=1953979&show=abstract.
“'I would not Taste of Such a Banquet': Ill-f(l)avoured Consumption in The Bloody Banquet", Shakespeare et les arts de la table. Edité par Pierre Kapitaniak, Christophe Hausermann et Dominique Goy-Blanquet, 2012, p. 93-104. (Societé Francaise Shakespeare, Conference (March, 2011): Shakespeare et les arts de la table), also on: http://www.societefrancaiseshakespeare.org/document.php?id=1713 (Consulté le 29 avril 2012).
"'There was every joy on earth in the secret garden' - Nature and Female Identity in The Secret Garden". In: A Hundred Years of The Secret Garden. Frances Hodgson Burnett's Children's Classic Revisited. Ed. Marion Gymnich/ Imke Lichterfeld. Representations & Reflections 9. Goettingen: V & R Press/ Bonn University Press, 2012, p. 27-38. (Conference "A Hundred Years of The Secret Garden" (Bonn, November 2010))
"'Timor mortis conturbat me. Fear of death disturbs me' – Fear and Terror in Frank McGuinness’ Speaking like Magpies." In: Who's afraid of...? Facets of Fear in Anglophone Literature and Media. Marion Gymnich. Representations & Reflections 8. Goettingen: V & R Press/ Bonn University Press, 2012 (Conference Volume: Bonn 24-25 September 2010, 2012 (Bonn University Press), p. 259-274.
“'In that Jerusalem shall Harry die.' King Henry IV’s Faith and Doubt". Shakespeare Seminar Online. Deutsche Shakespeare Gesellschaft. Ausgabe 10 (2012). On: http://shakespeare-gesellschaft.de/publikationen/seminar/ausgabe-10-2012.html
"'It was as if the water floated off and set sailing thoughts.' Images of Loss and the Sea in Virginia Woolf's To the Lighthouse and John Banville's The Sea." In: Writing Coast and Sea. Literatur in Wissenschaft und Unterricht. ed. Wolfgang Klooss. (LWU XLIV 2/3. 2011) K&N, p. 213-220.
"'He howl’d fearfully; Said he was a wolf': Lycanthropy in English Renaissance Tragedy and Contemporary Popular Fiction". In: Andrzej Wicher, Piotr Spyra, Joanna Matyjaszczyk. (Hgg.): Basic Categories of Fantastic Literature Revisited. Cambridge: Cambridge Scholars Publishing, 2014, 72-90.
“Do not banish reason” – Dialog und Dialogisierung in Shakespeares Measure for Measure ". In: Uwe Baumann, Arnold Becker, Marc Laureys. (Hgg.): Polemik im Dialog des Renaissance-Humanismus. Super alta perennis - Studien zur Wirkung der Klassischen Antike 19. Bonn: V & R Press / Bonn University Press, 2015. p. 291-315. (Conference: CCT Polemischer Dialog (Bonn, November 2011))
"Mr Darcy’s shirt – An icon of popular culture". In: Marion Gymnich. (Hg.) Jane Austen's Pride and Prejudice 2.0. Representation & Reflections 11. Bonn: V & R Press / Bonn University Press, 2015. p. 189-206.
"'Thou livest and breatest, yet art thou slain in him': The Absence of Power in Richard II". Comparative Drama 50.2-3 (2016) (Over Our Dead Bodies, eds. Nicole Fayard, Erica Sheen), 195-207.
"The Poppy Appeal – Erinnern und Gedenken an den Großen Krieg". In: Uwe Baumann. (Hg. )„The Great War“: Literarische und Visuelle Repräsentationen. (forthcoming 2017)

Shorter Articles

"'Be free, and fare thou well' Zu Shakespeares Sturm", in: Programmheft Theater Bonn: Der Sturm. Bonn, 2006. S. 44-45.
"A Labyrinth into Hell", in: Programmheft BUSC, The Changeling. Bonn, 2003.
"'So foul and fair a day I have not seen.' Chaosmos in Macbeth", in: Programmheft BUSC, Macbeth. Bonn, 2006.
"Die Schauspielkunst der Bestien", in: Programmheft BUSC, Les Liaisons Dangereuses. Bonn, 2007.

"The Memory of Loss - Female Constructions of the Past in Richard III", in: Theatre Programme. Bonn University Shakespeare Company, Richard III.Bonn, 2010, p. 29-31.
"I would to heaven I had your potency" - Macht und Korruption in Shakespeares Measure for Measure. in: Theatre Programme. Bonn University Shakespeare Company, Measure for Measure. Bonn, 2013. p. 32-37.
mit Julia Pflüger. "Shakespeare und das 21. Jahrhundert - ein Oxymoron?" Rampenlicht. Zeitschrift für Amateurtheater in Niedersachsen. 1/2013. S. 38.
„For God's sake, let us sit upon the ground/ And tell sad stories of the death of kings“ Artikel für das Bonner Theaterheft. 4/2014.

Reviews

Emer O'Sullivan. Historical Dictionary of Children's Literature. The Scarecrow Press, 2010, on: http://www.irscl.com/review_osullivan_lichterfield.html (December 2011).
David Margolies. Shakespeare's Irrational Endings: The Problem Plays. Palgrave Macmillan, 2012. In: Archiv für sas Studium der neueren Sprachen und Literaturen 250/165.2 (2013) Erich Schmidt Verlag. 430-432.
Vernon Guy Dickson. Emulation on the Shakespearean Stage. London: Ashgate, 2013. In: Jahrbuch Deutsche Shakespeare Gessellschaft 152 (2016), 265-266.

Papers/ Lectures:

"'Come image of brave death' - Senecas Einfluss in ausgewählten Rachetragödien der englischen Renaissance" (CCT: Centre for Classical Tradition, University of Bonn, June 2008)
"Finch's Spleen", Conference "Discovering the Human" (Berlin, September 2009)
"Remember, remember, the fifth of November’ - History Plays". (21^st-Century European Literature: Mapping New Trends, St. Andrews, September 2010).
"'Truth and Vertue shall at last succeed' - Die Rezeption von Nahum Tates King Lear" (BGECS: Bonn Group for Eighteenth-Century Studies, 1st annual Conference, Bonn, October 2010)
"A Kingdom for a stage” – A Literary Approach to the Shakespearean Stage (Bonner Hochschultage, January 2011).
"Anonymus, William Shakespeare, das Elisabethanische Theater und die Verfasserschaftsfrage", joint lecture with Prof. Dr. Uwe Baumann (Dies Academicus, Bonn, December 2011).
"A rose is a rose? Doubling in Michael Boyd’s production of Shakespeare’s Histories", British Shakespeare Association, Lancaster (February 2012)
"Space in Virginia Woolf's To the Lighthouse" (Bonner Hochschultage, March 2012).
"'There's gunpowder i'th'court' - Violence and Sin in The Revenger's Tragedy'", Inverness College, University of the Highlands and Islands, March 2013.
"'Charlie will come again' - Bonnie Prince Charlie and Eighteenth Century Stuart Nostalgia", BGECS, Zeit und Zeiterleben, Bonn, October 2013.
"'But oh, accursed palace!' - Subversive Society and Sexuality in The Revenger's Tragedy", Diversity and Homogeneity. The Politics of Nation, Class, and Gender in Drama, Theatre, Film and Media (Lodz, October 2013).
"But I won't deny that I am a werewolf." - A fantastic stereotype in Contemporary Children's Literature? (Harry Potter Workshop, University of Bonn, February 2014).
"The West Wing" - American Television: The drama series (Focus on North American Popular Cultures, April 2014).
“Thou livest and breathest, Yet art thou slain in him” – The dead body as a reminder of power and guilt. (Over his Dead Body, March 2015, King's Manor (University of York/ University of Leicester).
mit Katharina Engel: "Poppies and Poetry“ - Der Erste Weltkrieg in der Erinnerungskultur Großbritanniens“. Dies Academicus der Universität Bonn. 20. Mai 2015.