Publications
Publications:
Monographs
- "When the bad bleeds" - Mantic Elements and their Function in English Renaissance Revenge Tragedy. Representations & Reflections 3. Goettingen: V & R Press/ Bonn University Press, 2010. (als Imke Pannen)
Co-edited volumes
- A Hundred Years of The Secret Garden. Frances Hodgson Burnett's Children's Classic Revisited. Ed. Marion Gymnich/ Imke Lichterfeld. Representations & Reflections 3. Goettingen: V & R Press/ Bonn University Press, 2012.
Journal Articles
"'Assigned am I to be the English scourge' The ambivalent power of Joan of Arc and Margaret of Anjou". In: Uwe Baumann / Marc Laureys / Konrad Vössing (Hgg. ) Heroinnen und Heldinnen. Centre for the Classical Tradition. (forthcoming 2021).
"Space and Symbolism: The King's Sphere in Shakespeare's Histories". In: Marc Laureys / Jill Kraye / David Lines (eds): Spheres of Conflict and Rivalries in Renaissance Europe. (Göttingen: Vandenhoeck & Ruprecht / Bonn University Press, 2020), 161-175.
"The Poppy Appeal – Erinnern und Gedenken an den Großen Krieg". In: Uwe Baumann. (Hg.). The Great War. Literarische und visuelle Repräsentationen. (forthcoming 2021)
"'Thou livest and breathest, yet art thou slain in him': The Absence of Power in Richard II". Comparative Drama 50.2-3 (2016) (Over Our Dead Bodies, eds. Nicole Fayard, Erica Sheen), 195-207.
"Mr Darcy’s shirt – An icon of popular culture". In: Marion Gymnich. (Hg.) Jane Austen's Pride and Prejudice 2.0. Representation & Reflections 11. Bonn: V & R Press / Bonn University Press, 2015. p. 189-206.
“Do not banish reason” – Dialog und Dialogisierung in Shakespeares Measure for Measure ". In: Uwe Baumann, Arnold Becker, Marc Laureys. (Hgg.): Polemik im Dialog des Renaissance-Humanismus. Super alta perennis - Studien zur Wirkung der Klassischen Antike 19. Bonn: V & R Press / Bonn University Press, 2015. p. 291-315. (Conference: CCT Polemischer Dialog (Bonn, November 2011))
"'He howl’d fearfully; Said he was a wolf': Lycanthropy in English Renaissance Tragedy and Contemporary Popular Fiction". In: Andrzej Wicher, Piotr Spyra, Joanna Matyjaszczyk. (Hgg.): Basic Categories of Fantastic Literature Revisited. Cambridge: Cambridge Scholars Publishing, 2014, 72-90.
“'In that Jerusalem shall Harry die.' King Henry IV’s Faith and Doubt". Shakespeare Seminar Online. Deutsche Shakespeare Gesellschaft. Ausgabe 10 (2012). On: http://shakespeare-gesellschaft.de/publikationen/seminar/ausgabe-10-2012.html
“'I would not Taste of Such a Banquet': Ill-f(l)avoured Consumption in The Bloody Banquet", Shakespeare et les arts de la table.Edité par Pierre Kapitaniak, Christophe Hausermann et Dominique Goy-Blanquet, 2012, p. 93-104. (Societé Francaise Shakespeare, Conference (March, 2011): Shakespeare et les arts de la table), also on: http://www.societefrancaiseshakespeare.org/document.php?id=1713 (Consulté le 29 avril 2012).
"'There was every joy on earth in the secret garden' - Nature and Female Identity in The Secret Garden". In: A Hundred Years of The Secret Garden. Frances Hodgson Burnett's Children's Classic Revisited. Ed. Marion Gymnich/ Imke Lichterfeld. Representations & Reflections 9. Goettingen: V & R Press/ Bonn University Press, 2012, p. 27-38. (Conference "A Hundred Years of The Secret Garden" (Bonn, November 2010))
"'It was as if the water floated off and set sailing thoughts.' Images of Loss and the Sea in Virginia Woolf's To the Lighthouse and John Banville's The Sea." In: Writing Coast and Sea. Literatur in Wissenschaft und Unterricht. ed. Wolfgang Klooss. (LWU XLIV 2/3. 2011) K&N, p. 213-220.
"'Timor mortis conturbat me. Fear of death disturbs me' – Fear and Terror in Frank McGuinness’ Speaking like Magpies." In: Who's afraid of...? Facets of Fear in Anglophone Literature and Media. Marion Gymnich. Representations & Reflections 8. Goettingen: V & R Press/ Bonn University Press, 2012 (Conference Volume: Bonn 24-25 September 2010, 2012 (Bonn University Press), p. 259-274.
"What will I do?' Depression and the trick to keep breathing", International Health & Humanities Conference (Nottingham, August 2010), The Mental Health Review, Vol. 16.3 (2011), 113 - 117. See: http://www.emeraldinsight.com/journals.htm?articleid=1953979&show=abstract.
"'Which of you shall we say doth love us most'- King Lear and the necessity of salt." Akademisk Kwarter. Aalborg. 02/2011. Online: http://www.akademiskkvarter.hum.aau.dk/02_06_2011.php.
"'O how this discord doth afflict my soul!' Natur- und Wetterschilderungen als mantische Bedeutungssubstrate im Drama der Shakespearezeit: The Battle of Alcazar und The Atheist's Tragedy" in Wolfgang Hogrebe (Hg.): Mantik. Profile prognostischen Wissens in Wissenschaft und Kultur. Würzburg: Königshausen & Neumann, 2005. S. 249-261. (als Imke Pannen)
Shorter Articles
"violent delights have violent ends. romeo & juliet 2030", in: Programme BUSC, Romeo & Juliet & Troilus & Cressida. Bonn, 2019, 23-25.
"The Bastard in King John", in: Programmheft BUSC, The Life and Death of King John. Bonn, 2018.
„For God's sake, let us sit upon the ground/ And tell sad stories of the death of kings“ Artikel für das Bonner Theaterheft. 4/2014.
mit Julia Pflüger. "Shakespeare und das 21. Jahrhundert - ein Oxymoron?" Rampenlicht. Zeitschrift für Amateurtheater in Niedersachsen. 1/2013. S. 38.
"I would to heaven I had your potency" - Macht und Korruption in Shakespeares Measure for Measure. in: Theatre Programme. Bonn University Shakespeare Company, Measure for Measure. Bonn, 2013. p. 32-37.
"The Memory of Loss - Female Constructions of the Past in Richard III", in: Theatre Programme. Bonn University Shakespeare Company, Richard III. Bonn, 2010, p. 29-31.
"Die Schauspielkunst der Bestien", in: Programmheft BUSC, Les Liaisons Dangereuses. Bonn, 2007.
"'Be free, and fare thou well' Zu Shakespeares Sturm", in: Programmheft Theater Bonn: Der Sturm. Bonn, 2006. S. 44-45.
"'So foul and fair a day I have not seen.' Chaosmos in Macbeth", in: Programmheft BUSC, Macbeth. Bonn, 2006.
"A Labyrinth into Hell", in: Programmheft BUSC, The Changeling. Bonn, 2003.
Reviews
Helen Maurer/ B.M Cron. The Letters of Margaret of Anjou. Suffolk: Boydell & Brewer, 2019. In: H Soz Kult. https://www.hsozkult.de/publicationreview/id/reb-28847?utm_source=hskhtml&utm_medium=email&utm_term=2020-3&utm_campaign=htmldigest
Vernon Guy Dickson. Emulation on the Shakespearean Stage. London: Ashgate, 2013. In: Jahrbuch Deutsche Shakespeare Gesellschaft 152 (2016), 265-266.
David Margolies. Shakespeare's Irrational Endings: The Problem Plays. Palgrave Macmillan, 2012. In: Archiv für das Studium der neueren Sprachen und Literaturen 250/165.2 (2013) Erich Schmidt Verlag. 430-432.
Emer O'Sullivan. Historical Dictionary of Children's Literature. The Scarecrow Press, 2010, on: http://www.irscl.com/review_osullivan_lichterfield.html (December 2011).
Papers/ Lectures:
- "Illegitimate Possibilities - the effects of gender-conscious casting". Online conference: The Realm of Possbility. A Gender and Queer Studies Symposium. ibugi Alanus Hochschule, 19-21 November 2020.
- "Photographs, collective memory, and identity crises", CRiSiS, European Network for Avant-Garde and Modernism Studies, Leuven, September 2020 (cancelled due to Covid)
- "Random Pictures, rediscovery, and collective memory", BCLA Randomness, Belfast, September 2020 (cancelled due to Covid)
- "British Sign Language on Stage - a 'foreign' dialect?", Shakespeare in Action, British Shakespeare Association, University of Surrey, July 2020 (postponed due to Covid)
- "'His eyes... had a kind of dancing madness in them.' Alan Breck Stewart - Rake, swashbuckler, and charming popular underdogs", BGECS, Das 18. Jahrhundert in Film und Populärkultur, Bonn, October 2019.
- "Webster and Middleton: The Duchess of Malfi and the nature of revenge tragedies", Aix-en-Provence, Agrégation, September 2019
- "The context of E.M. Forster's Howards End. Understanding Early Modernism", Aix-en-Provence, Agrégation, September 2019.
- "Ecociticism, Linguistics, and Spaces in Shakespeare: The Court and the Forest is As you like it." Cours Magistral, Aix-en-Provence, Sept 2019.
- "'Fine word - legitimate' - Shakespeare's Bastards on Stage Today", British Shakespeare Association, Swansea, July 2019.
- "Mapping King Lear. Seeing and Understanding Chaos", European Shakespeare Research Association, Roma Tre, Rome, July 2019.
- "The Fascination with Experiments. Risks and Consequences of Scientific Reserach in Stevenson's The Strange Case of Dr Jekyll and Mr Hyde" Frankenstein Festival, 8 June 2019, Brotfabrik Traumpalast e.V.
- "Negotiating Heritage. Writing Memory", 3 June 2019, King's College London.
- "Shakespeare's Bastards". Gastvorlesung im Modul: Teaching, Lesson Planning and Shakespeare, Eberhard Karls Universität Tübingen (Prof. Dr. Uwe Küchler), 21 Januar 2019.
"Illegitimay, Power, and Charisma". Ringvorlesung Perspectives on Shakespeare, Universität zu Köln (Prof. Neumeier, Dr. Youssef), 15 November 2018.
"'I have had my vision' What happens after a moment of being?", Conference: Aftermath. The fall and the rise after the event, Krakau, Polen, 25-26 October 2018.
- mit Katharina Engel: "Poppies and Poetry“ - Der Erste Weltkrieg in der Erinnerungskultur Großbritanniens“. Dies Academicus der Universität Bonn. 20. Mai 2015.
- “Thou livest and breathest, Yet art thou slain in him” – The dead body as a reminder of power and guilt. (Over his Dead Body, March 2015, King's Manor (University of York/ University of Leicester).
- "The West Wing" - American Television: The drama series (Focus on North American Popular Cultures, April 2014).
- "But I won't deny that I am a werewolf." - A fantastic stereotype in Contemporary Children's Literature? (Harry Potter Workshop, University of Bonn, February 2014).
- "'But oh, accursed palace!' - Subversive Society and Sexuality in The Revenger's Tragedy", Diversity and Homogeneity. The Politics of Nation, Class, and Gender in Drama, Theatre, Film and Media (Lodz, October 2013).
- "'Charlie will come again' - Bonnie Prince Charlie and Eighteenth Century Stuart Nostalgia", BGECS, Zeit und Zeiterleben, Bonn, October 2013.
- "'There's gunpowder i'th'court' - Violence and Sin in The Revenger's Tragedy'", Inverness College, University of the Highlands and Islands, March 2013.
"Space in Virginia Woolf's To the Lighthouse" (Bonner Hochschultage, March 2012).
- "A rose is a rose? Doubling in Michael Boyd’s production of Shakespeare’s Histories", British Shakespeare Association, Lancaster (February 2012)
- "Anonymus, William Shakespeare, das Elisabethanische Theater und die Verfasserschaftsfrage", joint lecture with Prof. Dr. Uwe Baumann (Dies Academicus, Bonn, December 2011).
- "A Kingdom for a stage” – A Literary Approach to the Shakespearean Stage (Bonner Hochschultage, January 2011).
- "'Truth and Vertue shall at last succeed' - Die Rezeption von Nahum Tates King Lear" (BGECS: Bonn Group for Eighteenth-Century Studies, 1st annual Conference, Bonn, October 2010)
- "Remember, remember, the fifth of November’ - History Plays". (21st-Century European Literature: Mapping New Trends, St. Andrews, September 2010).
- "Finch's Spleen", Conference "Discovering the Human" (Berlin, September 2009)
- "'Come image of brave death' - Senecas Einfluss in ausgewählten Rachetragödien der englischen Renaissance" (CCT: Centre for Classical Tradition, University of Bonn, June 2008)